That comes in handy when their points about French identity miss the mark, or when the main characters share special moments without really acquiring depth. Nakache, who wrote the scattered screenplay, have a well-honed touch for comic beats and a feel for workaday details. And although there are amusing set pieces that cleverly underline the strife of Paris’ immigrant community, the chemistry between Sy and co-star Charlotte Gainsbourg, who plays Samba’s. Around them buzzes a small circle of side characters - Samba’s boisterous friend (Tahar Rahim) and pessimistic uncle, and the kibitzing staff members at the immigration center, who seem to be descended from a 1930s Hollywood comedy set in New York. That might sound like a glib evaluation, but the filmmakers are shameless in leavening Samba’s woes with blushing scenes between him and Alice, who seems instantly mesmerized. Next summer, Gainsbourg will be appearing in Roland Emmerich’s Independence Day Resurgence, which will be her biggest movie to date and her first true Hollywood blockbuster, but right now she. With Omar Sy, Charlotte Gainsbourg, Tahar Rahim, Iza Higelin. Nakache provide an entry point for viewers who sympathize with the plight of migrants, or harbor crushes on them. Samba: Directed by Olivier Nakache, ric Toledano. Gainsbourg’s clueless Alice, a corporate drone taking a stress-related sabbatical by working at an immigration center, Mr. The world of Samba is one of extraordinarily hard working. With their help, Toledano and Nakache deliver a touching and powerful movie about a complex issue that never gets bogged down in romance in lieu of social commentary. Based originally on the novel Samba pour la France by Delphine Coulin, who, along with her sister Muriel, wrote some of the storylines, Nakache and Toledano intended to present a relatively unvarnished look at the illegal immigrant problem in France. Sy’s tenacious but somewhat opaque Samba plays out the absurdities of hard-working residents who don’t have the right papers. Acting veterans Omar Sy and Charlotte Gainsbourg have immense chemistry and their intimacy plays well into the greater narrative. Hovering between the insider and outsider perspectives the two characters represent, the filmmakers Eric Toledano and Olivier Nakache deliver a mostly buoyant take on the immigration travails that preoccupy France today (and more and more of its movies). Directed by the team behind the hit French odd-couple comedy “ The Intouchables,” the breezy “ Samba” centers on a Senegalese immigrant (Omar Sy) and his caseworker (Charlotte Gainsbourg).

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